Almazan vows to comeback stronger after finals heartbreak It was only the second win at home for Alab as it improved to 7-4.Howard led Chong Son with 25 points and 18 rebounds, while Fil-Am MicKinney also got 25 markers, nine assists, and six boards in his first game in Philippine soil.The Kung Fu suffered only their second loss and fell to 6-2.The Scores:TANDUAY ALAB PILIPINAS 94 – Parks 31, Brownlee 20, Balkman 20, Urbiztondo 9, Domingo 8, Maierhofer 6, Celiz 0, Hontiveros 0, Javelona 0.ADVERTISEMENT LATEST STORIES CHONG SON KUNG FU 91 – McKinney 25, Howard 25, Tucker 24, Tiongson 11, Kamiran 6, Liu 0, He 0, Zhao 0, Luo 0.Quarters: 18-24, 39-47, 62-65, 84-84, 94-91.Sports Related Videospowered by AdSparcRead Next Jiro Manio arrested for stabbing man in Marikina Nonito Donaire vs Naoya Inoue is BWAA 2019 Fight of the Year Pistons’ Blake Griffin says he wants to be where he’s wanted MOST READ Nueva Ecija warehouse making fake cigarettes raided, 29 Chinese workers nabbed Michael Porter Jr. stays patient as playing time increases Carpio hits red carpet treatment for China Coast Guard PLAY LIST 02:14Carpio hits red carpet treatment for China Coast Guard02:56NCRPO pledges to donate P3.5 million to victims of Taal eruption00:56Heavy rain brings some relief in Australia02:37Calm moments allow Taal folks some respite03:23Negosyo sa Tagaytay City, bagsak sa pag-aalboroto ng Bulkang Taal01:13Christian Standhardinger wins PBA Best Player award View comments Reigning ABL Local MVP Bobby Ray Parks had his best game of the season, finishing with 31 points on 11-for-18 shooting clip, on top of six rebounds and two assists while handling bulk of the defensive load guarding Chong Son Heritage import Mikh McKinney.Brownlee also overcame his woeful 7-of-27 shooting night and wound up with 20 markers and 11 rebounds, while Balkman poured five of his 20 points in the extra period, while also hauling down 16 boards and six blocks.FEATURED STORIESSPORTSTim Cone, Ginebra set their sights on elusive All-Filipino crownSPORTSGinebra beats Meralco again to capture PBA Governors’ Cup titleSPORTSAfter winning title, time for LA Tenorio to give back to Batangas folkJosh Urbiztondo was instrumental in Alab’s late fightback from 11 points down, catching fire in the fourth period as he drained three consecutive treys to put his side up, 82-80 with 1:35 left in regulation.However, it was his errant pass to Brownlee in the final 15 seconds that allowed the Chinese club to stay alive as Justin Howard tied the game at 84. Brownlee missed the desperation three as the game went to overtime. Photo by Tristan Tamayo/ INQUIRER.netTanduay Alab Pilipinas bucked gaffe late in regulation and scored a 94-91 overtime squeaker over Chong Son Kung Fu Wednesday in the 2018 ASEAN Basketball League at Sta. Rosa Multi-purpose Complex.The home team needed huge defensive stops, with Renaldo Balkman securing a huge deflection of Kamiran Sidikejiang’s pass in the clutch to deny the visitors a chance to score before Justin Brownlee sealed the three-point win.ADVERTISEMENT OSG plea to revoke ABS-CBN franchise ’a duplicitous move’ – Lacson Newsome sets focus on helping Bolts open new PBA season on right track Don’t miss out on the latest news and information. Lights inside SMX hall flicker as Duterte rants vs Ayala, Pangilinan anew OSG plea to revoke ABS-CBN franchise ’a duplicitous move’ – Lacson
THE BREWERY BAR have launched a sensational Valentine’s themed menu this weekend for all you love birds out there! They’re offering a superb four-course meal for just €60. (Check out the delicious menu above) So if you’d like to treat your better half to something special this weekend, then visit The Brewery Bar and avail of this superb special offer.Since re-opening under new management The Brewery Bar has won plaudits from all over for its incredible food and brilliant customer service.Travel website TripAdvisor is awash with positive feedback towards the bar – so find out this weekend for yourself why it’s No.1.However, if you want to secure a table, you ought to get booking NOW – as tables are being snapped up fast! There are still some reservations available for next Saturday and Sunday in the restaurant, but time is running out.To book a table call to bar to reserve your table today on 0749127330. LOVE IS ‘BREWING’ THIS VALENTINES WEEKEND AT POPULAR DONEGAL BAR AND RESTAURANT was last modified: February 12th, 2016 by Mark ForkerShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window)
The Martians are singing How dry I am. Scientists have a new explanation for how Mars turned red without water: it’s just dry dust tumbling in the wind. This new hypothesis was announced by Live Science, Science Daily, New Scientist, and Space.com, based on a presentation at the European Planetary Science Congress last week.1 This has been dubbed a “surprising” new theory. Why? Because for many years scientists thought that water was required to rust the iron in the rocks. Lab experiments at the Aarhus Mars Simulation Laboratory in Denmark have shown that quartz grains mixed with magnetite in a tumbler turn red in a few months as the surfaces wear down and oxygen atoms bind to the magnetite, forming reddish hematite. Because hematite is deep red in color, it doesn’t take much of it to color the dust red. These experiments do not rule out water on Mars; they just remove water as a requirement for staining the surface red. If this is the source of the redness on Mars, it has implications for the age of the surface. Space.com said, “since the process can occur relatively quickly, it could be that the thin red layer of dust on Mars is somewhat new.” How new? Jonathan Merrison said “millions of years instead of billions of years.” His experiments, though, reduced the sand grains to dust in just seven months, and they turned red quickly when magnetite was added.1. Merrison, Gunnlaugsson, Jensen and Nornberg, “Mineral alteration induced by sand transport; a source for the reddish colour of Martian dust,” Icarus (in press, published online 9/12/2009), doi:10.1016/j.icarus.2009.09.004.The moyboys should be red-faced (moyboys: those recklessly spouting claims about “millions of years, billions of years”). Not only does this potentially undermine the astrobiologists’ hopes for water on Mars, it casts doubt on whether the surface is really billions of years old. Remember, even 100 million years is a tiny fraction of the assumed age of the solar system (A.S.S.). What color was Mars before? Yellow? Green? Purple? Why are we seeing the tail-end of a rapid process if Mars dried up billions of years ago and its sand grains have been tumbling around for eons? The truth is, they just don’t know. They weren’t there. The fact that a hypothesis this radical can upset everything previously believed about a planet should give one pause before accepting the next moyboy pronouncement on faith.(Visited 11 times, 1 visits today)FacebookTwitterPinterestSave分享0
Share Facebook Twitter Google + LinkedIn Pinterest 180209_RyanMartinTwo dramatically different forecasts this morning over Ohio, depending on where you are. Over NW Ohio, snow is falling and will fall through most of the day. We don’t think this snow makes it much farther south than US 30 in NW Ohio. However, the action then kind of tails off farther east. We still see some good snows across Lake Erie, and up into Canada, but over north central and northeast Ohio are not as likely, as temps climb to near freezing. Farther south, clouds hold between US 30 and I-70 though a large part of the day, but south of 70, we can see some sun. In fact, lots of warm air is surging north over Ohio, and we could see three quarters of the state at or above freezing for highs this afternoon. Back to NW Ohio, snow totals there can be 3-8 inches down to US 20, and 1-3 down to US 30. But, again, snows tail off the farther east you go. The moderating air coming up over a large part of the state means this snow up north and west will be of the heavy, wet variety, which also weighs on our forecasts this morning. The map below shows snow accumulations through early tomorrow (Saturday) morning.We are not done with snow after this. In fact, we have a cold front that sweeps through tomorrow and Sunday that can bring an additional 1-3” to 80% of the state. This front brings in much colder air to the south, and should leave minor snow accumulations all the way down to the Ohio River. The biggest snow totals will run over the northern half to third of Ohio for the weekend.Bitter cold air is still on the way behind that frontal complex. We expect to wake up to subzero temps over almost all of the northern half of the state Monday morning. South of I-70, temps will also be chilly, but should remain in the single digits to low teens. Sunshine will dominate as we move through Monday. After the cold start to the week, we have temps moderate a bit Tuesday, before a front sags in for Wednesday. Cold air comes in behind this front and dominates over the northern half of the state, but south of the front, we see some moisture interacting with the front over the southern half of the state, and we think we need to put some .05”-.25” rains in for Wednesday morning and midday, from I-70 southward. Cold air races in quickly behind the rains. High pressure dominates next Thursday and temps climb again on Friday. We do have some scattered light snow showers possible overnight Friday night into early Saturday, mostly over the northeast quarter of the state. On Saturday, rains start to lift into Ohio for the afternoon. This will kick off an active pattern that goes right through the extended period.We see no change to the extended pattern, and expect it to turn more active again. Right now we are eying 3 systems in 5 days. One for the 17th-18th brings rain to start mixing with and changing to snow, and liquid equivalent precipitation of a quarter to half inch. On the 20th we see half to 1 inch of moisture coming through (liquid equivalent) and on the 21st we can see 1-2 inches of liquid, potentially coming as mostly snow. We should end the 11-16 day period with dry and cold weather through the 24th.
If you’ve ever used a Moto X, you know you can check the time on the Active Display screen just by tilting the phone or picking it up off a table. The Moto X knows when you’re holding it and the gesture-based interaction made it the smartest of the smartphones when it came out last year. Other smartphones have similarly employed a swipe-from-offscreen interaction (Samsung Galaxy, BlackBerry 10, iPhone with iOS 7) model that allows users can access certain functions from behind a locked screen with a simple swiping.These instant-access interactions now come to the HTC One M8, with a swipe down from the top to open voice control, a swipe up from bottom to bring you to your last-used app, a swipe left to visit the home screen and a swipe right to BlinkFeed, HTC’s content feed screen. Like LG devices, if you double tap the screen from an off position (power on, screen off), it will take you to the locked home screen.Gesture control like this is not exactly a new concept; if anything, this is proves that HTC can take cool concepts from other phones and seamlessly incorporate them to create a unique user experience. The HTC One M8’s Dot View cases allow for easy gesture-specific controls while the front cover is closed. If you swipe down on the cover, HTC One M8’s voice system activates, and you can tell your phone who you want to call. If you double tap the case, you can see the time and weather at a glance. If you are a fan of cases (which I am not), the Dot View case is a cool conversation starter that employs an imaginative gesture-based user interface.Whining: Sense, Zoe, BlinkFeed, M8 Tags:#Android#Google#HTC#HTC One M8#HTC One M8 review#HTC Sense#Reviews Every so often, a product comes along and takes the best of almost everything that came before it and packages those things into a beautiful and functional device that’s hard not to admire. The HTC One M8 is such a product.Almost every smartphone comes with its fair share of warts, and the HTC One M8 is no different in that regard. But the M8 has learned from user behaviors and the competitive landscape, which amounts to an excellent device that stands atop the Android heap and next to (if not above) Apple’s iPhone or any Nokia Lumia available.A Company In FluxFor the second year in a row, HTC has built what will likely be one of the year’s best reviewed smartphones (if the M8 can withstand the competition over the rest of 2014), but the company’s revenue and market share remain flat.See also: How The HTC One M8 Smartphone Camera Performs In The Real WorldThe reason for HTC’s stagnation is open for debate. HTC will claim it hasn’t been able to effectively market its phones. The manufacturer recently just hired the Samsung marketer responsible for the “Next Big Thing” campaign but HTC cannot compete with Apple and Samsung in marketing dollars. Another argument is that HTC has been damaged by cellular operators that lust after exclusive agreements to carry a device. Maybe the decline has come from production and shipping delays of its last two flagship devices, or patent battles with the likes of Apple.In reality, HTC’s failures are a combination of all of the above. The question continually asked by pundits is whether the newest HTC flagship can pull the company out of the mire. At ReadWrite, we tend to believe in quality products, so the answer is a definite “maybe.” It’s hard to be positive knowing all the extenuating factors: Motorola made a great smartphone with the Moto X and hemorrhaged money until Google had to sell it to Lenovo. Nokia has done some fine work with the Lumia series and hemorrhaged money until it sold to Microsoft. If HTC is to fail with its own flagship smartphone, it represents a pox on all of the houses in the smartphone manufacturing world. A pox on Apple and Samsung for creating an anti-competitive market. A pox on HTC for failing to achieve the success that its design chops deserve. A pox on Google for allowing the maker of some of the best smartphones on the market to whither and die. So where does the HTC One M8 shine and where does it need to improve? Let’s break it down.Shining: Industrial Design & PerformanceAs long as the manufacturer is alive, HTC should take home the industrial design award basically every year.With all due respect to Apple and certain Nokia devices, the One series has been phenomenally designed over its three generations. The One M8 is a compact and beautiful phone with a full metal casing and no hard edges. Everything that was good about the original HTC One has been refined in the One M8, including the forward facing speakers, the slightly larger screen, the weight and the grip. From an aesthetic point of view, the One M8 is gorgeous. dan rowinski Let’s just get one thing out of the way. The name “One M8” is just all kinds of terrible. The HTC One was originally codenamed the “M7” but the moniker was dropped before the phone was released. The “M8” moniker was the development codename for the device that somehow found its way into the actual product name. Good luck with that, HTC marketing.When it comes to skins—the unique user interfaces manufacturers add to Android smartphones—beauty is in the eye of the beholder. You may prefer the interface of the Samsung Galaxy S5 or one of LG’s G series smartphones. Some users (usually Android “purists”) prefer the Google Experience of Nexus devices. HTC employs what its calls HTC Sense. The sixth iteration of Sense is what is shipped with the One M8 and, yes, it does feature some improvements over the last version of the launcher. The gesture-based controls and contextual computing is technically part of Sense and those features definitely add to the positive experience and feature parity of the phone. At the same time, HTC—like Samsung—loves to push its marginal “features” that basically amount to a small mountain of frustrating and annoying features. For instance, Zoe is HTC’s dual-still-photo-plus-video-feature that is confusing to use and difficult to share. Zoe is like adding all of the motion and “best shot” features of other smartphone cameras (notably, the Samsung Galaxy S4 and Galaxy S5) into one setting within the camera app. The HTC One M8 camera is particularly good outside of Zoe, so I’d imagine most people won’t need to use this setting. To note, these types of frailties are of the nitpicking variety. Even the Google Experience Nexus devices have the Google Now home screen you can’t really get rid of if you want. The Galaxy S5 has a magazine-like homescreen pre-loaded onto the device. These device-specific feeds are popular on Android products right now. Similar less-than-stellar user experiences exist in just about any device you pick up, from the iPhone to any Windows Phone to the Nexus 5, Moto X, LG G2, Sony Xperia, or Galaxy S5.Overall, the HTC One M8 packages excellent industrial design with a more refined user experience that its predecessor which makes for an excellent Android-based smartphone. If you like Android, you are probably going to dig the HTC One M8. It’s the best of Android and the best of HTC together in one sterling device. Related Posts Sense 6 also employs the next version of HTC’s “BlinkFeed,” a feature that takes an entire homescreen to act as a social feed and newsreader.BlinkFeed in Sense 6 is actually much improved from that found in the last version of Sense shipped with the HTC One in 2013, allowing users to add more customized feeds and publications. But the same basic problem exists with BlinkFeed in Sense 6 as it did in Sense 5: You cannot delete it and maintain an additional customizable home screen. You can either have BlinkFeed or you don’t. You can’t get rid of it to add an extra screen and HTC Sense 6 only allows for five homescreens (unlike Google Experience Android which will let users add as many as they like).You can delete BlinkFeed, as Phil Nickinson explains in the video from Android Central below, but note that once you get rid of BlinkFeed, you lose the ability to access that panel unless you want the feed back. What it Takes to Build a Highly Secure FinTech … The camera on the HTC One M8 is a little hit-and-miss, but overall it is a marked improvement over the HTC One camera that introduced the concept of “ultrapixels” into the popular lexicon, confusing the heck out of smartphone buyers everywhere. (See our full review of the HTC One M8’s camera here.)Gestures & The Pixel CaseThe HTC One M8 is highly similar to its predecessor, but it also comes with a few new features. Gesture control and screen tapping should be familiar to Android users that have used either a Moto X or LG G2, while the chic pixel case—known as Dot View—is a curiosity all on its own. The performance of the One M8 is none too shabby. The One M8 employs the top-of-the-line Qualcomm Snapdragon 801 quad-core processor and it shows up in just about everything that can be done on the phone. From taking pictures (more on the camera below) to switching between CPU-intensive apps, the One M8 is on top of the “superphone” hardware spectrum that essentially puts a powerful PC in your pocket. Given that the One M8’s release comes in the first half of 2014, it will likely be eclipsed in the hardware department by the end of the year, but right now it is fast and responsive and has the ability to run just about any app you might want … and then some.The One M8 is also successful in two areas consumers greatly care about: The screen, and the battery life. The HTC One M8’s 5-inch, 440 ppi display is notably crisper than last year’s model and comparative to other Android flagships within the past 12 months, including the Samsung Galaxy S5. And its battery (2,600 mAh) is only slightly bigger than last year’s (2,300 mAh) design, but the performance is much improved and also comes with a built-in battery saver function that Samsung Galaxy device owners may be familiar with.Let me give you an example of the HTC One M8’s battery life. This past weekend, I traveled with the One M8 while driving down to Washington, D.C., from Boston. Starting from a full charge, the One M8 went to the zoo and snapped many pictures (especially of Bao Bao the giant panda) that were automatically uploaded to Google+, found me directions to get home, played Spotify for about five hours and then helped me navigate around traffic on the George Washington Bridge.In all, the One M8 withstood a solid nine hours of non-stop activity, and still had about 9% of its life left. A quick refresh with an external charger and the battery jumped back up to 26% and played Spotify for another four hours to get me back to Boston. The HTC One could not have performed this feat (though the Galaxy S5 may have). Role of Mobile App Analytics In-App Engagement Why IoT Apps are Eating Device Interfaces The Rise and Rise of Mobile Payment Technology
The new Cinema 4D integration in Adobe After Effects CC provides a powerful, but simple, 3D workflow. We’ll show you how to get started!For video editors and power AE users who’ve been too intimidated to attempt their hand at 3D in the past, now’s the time. Cinema 4D Lite, now included with After Effects Creative Cloud, is a great introduction into powerful animation and 3D tools. These days it’s not enough to just be a video editor or motion designer. To be successful you need to have a good understanding of both.In this tutorial we’ll go over a few basics for integrating Cinema 4D into your After Effects projects. This roundtrip workflow makes it simple to include Cinema 4D files in AE. Highlights of the tutorial include:Prepping and stabilizing footage with the Warp Stabilizer in AE (see our previous tutorial for more details on stabilization in After Effects)Using the 3D Camera Tracker in After EffectsBasics of Creating Extruded Text in Cinema 4DAdding a Cinema 4D Object into After EffectsSet Ground Plane and Origin in After EffectsAre you using a Cinema4D and After Effects CC workflow?Share your thoughts and advice in the comments below![Best viewed full screen][color-box color=”gray”]This is Evan Abrams for Premiumbeat.com. I’m going to show you really quickly, how in Adobe CC you can stabilize, track, and then put in 3D geometry from Cinema 4D Light. These are brand new features and really simplify 3D work-flow. So, inside of After Effects the first thing I’m going to do is import the footage that we want to use. So here I’ve just called it “footage” and it’s footage of the patio outside of my building. So I’m going to take this and I’m going to drag it onto a new composition. It’ll create a composition of the same frame rate and frame size and duration as that original clip.Now, when I pan through here I want to find the segment that I’ve made specifically for this, and then I’m going to hit ‘B’ to set my work area, and then I’m going to move ahead for this example, hit ‘N’ to set the of the work area, and then I’m going to trim the composition to the work area. Because we’re going to be using a lot of automated processes, we don’t want to be having the software rendering and analyzing unneeded frames. So, you want to trim it off to the size you need.Now, you’ll notice here it thinks frame zero is frame 356, so I’m just going to go in here, change the composition settings, and one of the things I want to change is changing it from the start frame to being start frame zero; and it’s still 91 frames of duration. And then, instead of 23 I want to have that to be an even 24. And we’re going to find out why when we move into Cinema 4D, but it’s just because for now we’re using this because it’s a round number. You could keep it at 23.976 if you want; but then we’re going to be doing a lot of copying and pasting. So I’m just going to move it to 24 because it’s not that noticeable a difference, and hit okay.Now, this is set up to be smoothed out; even though I’ve done as good a job as I could out in the field shooting on a SLR camera using hand-held motion is going to have a lot of shaky jerky parts. So we’re going to use the warp stabilizer VFX, which is new to Adobe CC. The warp stabilizer was around in CS6, but this is an updated version. So I’m going to drag that out and it’s already going to start analyzing.While it’s doing that I’m just going to briefly describe what we’re looking at. So, we’re going to have the result here, which can either be smooth motion or no motion, which will lock it off. You can change the smoothness, and I think 50% is too much. I’m just going to have 5% smoothness, meaning it’s going to be 5% smoother than it was before. The method can be only position, position scale rotation, perspective, or the sub-space warp. And the sub-space warp changes things inside, so these are all linear, so this is just the position; this is position scale and rotation, and perspective starts to pinch and widen the top and bottom.But sub-space warp creates a much smoother look, but it’s not always the look you want. Sometimes sub-space warp makes a lot of mistakes. If you find it’s making a lot of mistakes, you just move up until you get something that looks good. Borders here, basically because it has to expand this a little bit what it’s going to be doing is, if we move to stabilize only, you can see there’s going to be a little bit of black bar, because it is having to move the comp around. So if you do a stabilizing crop, then it is cropping it down to be the aspect ratio, and then stabilize crop and auto scale is going to fit it to there. And then if you use synthesize edges it’s going to make up information to fill in those regions. But that’s only for times when you really cannot withstand scaling. For us, auto scale puts it at 104.3%, and that is within tolerable bounds for me. Basically 110 and higher is too much; 110 and lower is just fine, so that’s kind of our break-even point.And then there are a lot of additional things you can do here in the advanced, such as working out the reduction of the rolling shutter, which happens on SLR cameras. You can change its objective kind of thing here, and all sorts of advanced things. But for most of your work you’ll never have to touch those. You can just bring it on, say how smooth, and then define everything outside of the advanced. So, while I’ve been talking it’s been stabilizing and it’s done a pretty good job of smoothing things out. So now what we’re going to do is go back to our project here and change the title of this from being footage to stabilize, because this is the stabilized footage. We’re going to take that and drag it onto a new comp, and that comp we will be calling camera solve. The reason that we break these things up into multiple comps is because you can’t effectively apply a stabilization and a 3D track to the same comp, because it has to read the pixels off one to make the other; and stacking them is just not an effective way to do that. So it’s best to pre-comp it, so all of the pixel changes it’s making here to stabilize we can then make use of here in the tracking.So, we pull up the 3D camera tracker, and pull that onto the stabilized within the camera solve, and already it’s going to start working. So there are a lot of things you want to tell it to make this easier, and the first is, is this a fixed angle of view, or is it a variable zoom? I used a prime lens, so it’s a fixed angle. And within the advanced you can tell it things like what type of movement are you doing. So if it’s stuck on a tripod and you’re moving it around you should tell it that so it doesn’t assume otherwise. I’m going to say typical because this is hand-held moving around, nothing’s really set. So sometimes this will fail, and when it does fail you want to hit “reset” and just have it give another go. So it’s not that onerous for it to try again, and sometimes it makes mistakes when you start changing settings before it’s done.So, what are some other things in here? We’ve got method used; once it sorts itself out. And then it’ll tell you the average error, and that is how far off or how confident it is that it’s got this thing locked down. And then by tweaking all of your settings you’re going to improve its average error. So basically you want the average error to be as close to zero as possible, but there are areas of tolerance you can put up with just because nothing’s really perfect..So now it’s going to try to solve the camera, and it has put all of these little dots everywhere, and you can see when you mouse over it starts to make a target. And we know this is a good track, because when we put the target out there it seems to align with the ground. So when you scrub through you can see the points are very much stuck to things in the scene, and we’re looking at an average error of .23 pixels, which is pretty good. That’s going to be almost indistinguishable. Ideally you want this to be as low or as close to zero as possible. So, that’s really just the big thing.Now we’re going to add a Cinema 4D object to this scene. So what we’re going to do next is we’re going to go layer new max-on Cinema 4D file. And again, this is new in Adobe CC, but this is how easy it is to just add in a Cinema 4D project. You can import Cinema 4D projects as well if you’d like, but we’re just going to create a new one from scratch. I’m just going to call this ‘titles’, and then it’s going to open up Cinema 4D light right out of the application. So in here you can make some basic things, and I’d encourage you to learn from other tutorials how to make things in Cinema 4D Light, but I was going to show you really quick how to make text. So you go to spline, pull up some text, and then you type into its properties over here, something like Premiumbeat.com; click outside, and you’ve created these splines. And you’re going to create an extrude [nerves], put the text here inside the extrude [nerds] like this, and then it creates this extrusion. Now you’ll save your work here, and then when you go back into After Effects it’s stuck it in here. S\So we’re back in After Effects and the bulk of this tutorial is about After Effects. So the first thing you want to do is make sure that this sticks into your scene. And in order to do that you need to have a camera. And we make a camera by hitting ‘create camera off the 3D tracker’ so it creates a camera that matches the camera we already made. But one thing I’ll show you real quick is that when I hit ‘create camera’ and then we go into the Cinema 4D here and we say, use the comp’s camera, it doesn’t look correct at all; it’s kind of like our 3D thing is floating off over here where it shouldn’t be. And that’s because we have not defined where the origin of the scene is. And the origin is, if we go back into Cinema 4D here, this point here where new objects are created it’s 000 on the [Cartesian] plane; it is at the ground at .0 and that’s where things come in. So right now that’s where this is, and that’s where it expects to be, but we haven’t defined in this scene where that is. So delete that camera, because it was wrong. Go back to our 3D camera tracker and then we’re going to select a bunch of points, and then we’re going to right click. I’m going to say, set ground plane and origin. So it’s going to say, use these points to say where the ground is, and from that we are going to then put a point on there that is the origin. So we say, define that; good. That’s done; now create a camera; perfect. And now Premiumbeat.com is stuck down there on the ground. So that works out pretty well.And it’s actually done a good job of sticking it in there. So it’s pretty firmly where it ought to be. There are a few things that you’ll want to do just to improve how this looks. And one of those is going to be to go into your titles here, go to project, the thing you’ve created, and make sure that its frame rate matches the frame rate of your composition. So go to interpret footage main, and you’re going to want to conform its frame rate to, we said, 24 and then hit return. So now this 24 frames a second comp is matching the number of frames here. And if we go into Cinema 4D again, or Cinema 4D Light, you can see that it’s 0 to 90 frames by default, but if you go edit project settings, you can see it thinks it’s 30 frames a second, so change that to be 24. And then we’ll just change its frames to be 91, just like the comp. Hit save, and we go back here and everything is now lining up, so if you animate something you can count out the frames in the Cinema 4D file and then if you change some things in this project it’llline up for that number of frames.So that’s basically it for the basics of putting Cinema 4D things into After Effects using the new Adobe CC tools. We’ve stabilized footage; we’ve [solved] for the camera, and then we’ve brought in the Cinema 4D file. If you want to get deeper into Cinema 4D though I would totally recommend that you check out other tips and tutorials on Premiumbeat.com. It’s a great resource for all sorts of applications; Cinema 4D included. This is really just the basic overview about how to get things into Adobe After Effects, and to work with them in there. The big thing though, and I’m going to just stress this again, is make sure you’re frame rates and durations match, and also make sure that you’re using the correct cameras and that you set the origin and told the computer where the things are. A lot of frustration in the 3D integration comes from not setting the origin, because the computer can’t know until you tell it.Anyway, I’m Evan Abrams. Thank you so much for watching. Hopefully this has been helpful with getting you started into the Adobe CC and some of the new tools. If you want to learn more about Adobe After Effects and other applications stop by Premiumbeat.com and check out the blog for those. And of course, come to Premiumbeat for all of your royalty-free music and sound effects needs. I’m Evan Abrams; thanks again for watching, and I’ll see you around the Internet. [/color-box]
Pune: The psychologically probing and uniquely textured films of the directing duo of Sumitra Bhave and Sunil Sukhtankar shone once more as their recent offering Kaasav (Turtle) won the ‘Golden Lotus’ award at the 64th National Film Awards announced in Delhi on Friday.Marathi cinema, in general, fared well with the cream of the industry’s offerings being noticed and acknowledged at the awards. Dashakriya won the Best Marathi film award, while Rajesh Mapuskar, who directed Ventilator, was adjudged Best Director. The announcement is particularly gratifying for Ms. Bhave and Mr. Sukhtankar as it comes on the occasion of World Health Day at a time when the World Health Organisation (WHO) has selected ‘depression’ as this year’s theme.The much-acclaimed Kaasav (which is yet to be released) stars Alok Rajawade as Manav, a disturbed, alienated and suicidal boy, who is sheltered by a woman Janaki (superbly played by Irawati Harshe) battling loneliness.The film sensitively and intellectually portrays how patience and understanding can bring relief to people battling depression. More importantly, the film brings the malady of depression — often a taboo — into sharp relief and compels discussion on it rather than leave it lurking in the shadows Ms. Bhave and Mr. Sukhtankar are known for their psychological studies delving into the troubled recesses of the human mind in films like Astu (2015), starring Dr. Mohan Agashe, which dealt with Alzheimer’s and Devrai (2004), starring Atul Kulkarni, which tackled schizophrenia.Dr. Agashe, who produced Kaasav, observes that the film is a metaphor of a mother turtle which hatches her eggs and leaves before the young ones are born.The emotional slice-of-life drama Ventilator, produced by Priyanka Chopra (who also has a cameo in the film) bagged a clutch of awards including ‘Best Editing and Best Video Recording’ and ‘Best Sound Mixing.’The film, which marks an acting comeback for director-actor Ashutosh Govarikar, is seasoned with satire and laced with heavy doses of black comedy in chronicling two days in the life of the extremely large Kamerkar family, and the shenanigans that ensue when one of the family elders is admitted to the hospital and put on a ventilator.Veteran actor Manoj Joshi won the Best Supporting Actor award for his role in Dashakriya, while the film also bagged the Best Screenplay award (adapted) for Sanjay Krushnaji Patil.The film, directed by newcomer Sandip Bhalachandra Patil, stars Dilip Prabhavalkar and is a searing indictment of the evils of the caste system which it powerfully portrays through the odyssey of a young boy, Bhanudas.While 2016 began with a bang for Marathi cinema, with the Nagraj Manjule-directed Sairat becoming a wild box-office smash and Natsamrat featuring some powerful, heavy-duty acting by Nana Patekar, the majority of the year has produced middling fare. far away from the hallowed standards which one has come to expect from Marathi cinema post the award-winning Shwaas (2004).The three films feted at the National Film Awards roster have reclaimed the spotlight for Marathi cinema.
The atmosphere at the Excel arena was incredible as Indian icon Mary Kom and local favourite Nicola Adams slugged it out for a berth in the 51kg final in front of an appreciative audience. Match photosAt the end of four rounds, each lasting two minutes, the Briton had sealed her spot in the London Olympics final but Mary Kom walked out smiling having won millions of hearts at home and in the United Kingdom.As Mary Kom wore the bronze medal around her neck and remembered her twin sons, she became emotional. “I am sorry I could not win gold but at least I am taking back a bronze medal home,” said the 29-year-old supermom who has made millions of sacrifices for this day.Having won five world championship titles in the 48kg category and moved to the 51kg category for the Olympics, Mary Kom was at a disadvantage.But the way the diminutive Indian boxer threw in effort, though it did not translate into points on the computers, Mary Kom was superb.The Indian’s 6-11 loss to Nicola may sound bad, but Mary Kom made everyone forget it as she had a medal to show.Nicola did take control of the proceedings from the opening bell. Fast on her feet and landing punches with panache, Nicola was smart.With British prime minister David Cameroon also watching the bout, Nicola got that extra zing into play as she adopted a smart strategy of coming in and scoring points and then moving back. It was a pattern which the Indian had not bargained for.advertisementOnce into the second round, Nicola landed two thudding upper cuts while continuing to punch beautifully off the back foot. At the end of the third round the score was 8-4.Mary Kom knew she had to show aggression in the decider as there was no other go against an opponent whose footwork was slick. The sad part for Mary Kom was despite throwing all the weight she could, the points were not being scored.As the raucous audience lapped up every minute of the action, it was clear when Nicola was declared winner, there was a huge roar.However, Mary However was not disturbed as hundreds of media personnel waited for her to speak in English and then Hindi.”I have been living this Olympic dream for years and I know what it means to me and my country. All the sacrifices I have made in this life have been rewarded through this medal,” said Mary Kom.Asked about the scoring system, Mary Kom shot back: “I am scoring but they are not pressing the button and scoring!”However, Brig Muralidharan Raja, secretary of the Indian boxing federation said there was nothing to complain about. “It was a fair contest and we cannot complain about anything,” said Raja.Mary Kom’s medal means so much for women in Indian sport. It also puts her state Manipur prominently on the India map as they have faced a clutch of problems in day to day life.As the brand ambassador for women’s boxing, Mary Kom has left an indelible mark. This is the first time two Indian women have won medals in one Olympics and Mary Kom deserves all the praise and rewards for her efforts.She has spent invaluable time away from her family. “I cannot explain my feelings and emotions and I know I had millions praying for my medal,” said Mary Kom.To be sure, unlike men’s boxing, women’s boxing is not a glamorous sport at home. The total number of women boxers who compete in India is just in hundreds and not even a thousand.So for Mary Kom to come out tops with women’s boxing making its debut at the Olympics is a big deal.”We do expect that this medal will be an inspiration for women boxers in India,” said Raja.The magnitude of Mary Kom’s achievement will only be underlined when she returns to India. After all, it is her medal which has enhanced India’s medal tally to an all-time high of four in one Olympics.